Autumn in Edmonton
September 17th, 2005
Can you fall in love with a thought? Can a thought break your heart? I think you can. And I think it just did. And, you know, it’s not a bad way to be, really. Fall in love with the world. Let it break your heart. Fall in love with it again. Why not? What the hell else was I banking on anyway?
Here I am, wandering around like a madman, eyes filled with the tragic beauty of autumn. Old things are dying to make way for the new. Whispers of winter float through the warm air. Soon enough it will just be too damn cold for anything to spark.
Nature bewitches me with its last celebration before the big freeze. Suddenly, there are all these brilliant, earthy colors. While spring and summer shine with the overt beauty of a Hollywood actress, all glossed up and perfect for the big screen, autumn is that sweet girl next door who brings back your childhood innocence — the one who makes you smile just thinking about her. It’s real and genuine. The time slows and you savor the simplest moments. You find yourself wishing those moments could last forever.
I have no destination today, but even a person with no destination always finds himself somewhere. I wonder why it took me so long to be where I am right now?
There are others: sitting and writing, some playing Frisbee, some just passing by. The air is electric and I’m grinning ear to ear. I’m ready for a revolution, and I’m nodding in agreement with everything around me.
These people. As I observe them, there’s that awful, hanging question: How many of them are observing me? And how closely? To answer that, I guess I first have to answer an even more haunting question: Who am I, really?
You see, somewhere in here, there’s this person I call me, who’s made of some arbitrary collection of experiences, relationships, ideas, dreams, and biology. Something beyond that me seems to be creating a movie about life itself, about what it means, about how it’s beautiful or horrifying or worthwhile or not.
Who am I, really? Today, it almost seems like I am that movie director who is beyond me, but who is also within me. How can that be? And do I not also feel that I am the actor, the one who is being directed? What about the others? Are they actors or audience? Or both?
Are they actors in my movie, or am I an actor in theirs?
This particular movie screen is different because it’s a two-way deal. The actors are also looking back out at the audience, as if they don’t know they are the actors. I see now that we are one in the same, actors and audience, and that we are all playing incredibly complex and beautiful roles in this incredibly complex and beautiful drama, called: “This is What Life’s All About!”
Eventually, I push myself to leave. I look back to where I was sitting moments ago and taste an overwhelming melancholy. Outside of the moment, I now fully realize its wrenching beauty, and I wonder why I didn’t just stay there forever.
What is it that continually pushes us out of Eden? Why are we always looking backward or forward? Why are we never just there?
Nostalgia. Hold on to it, and you’re looking back five years from now, feeling the same regret about not enjoying what you had because you were just too busy wishing it was another way.
The solution suddenly seems much too simple: Let go.
Let life throw me about as it wills. Understand that I would not want it any other way. No effort. No struggle. Just a profound and protecting peace, knowing that I am exactly where I need to be and doing exactly what I need to do. I wonder why my life so far has been more of an exercise in complexity than simplicity.
But then, the simplest things can be incredibly difficult sometimes, can’t they?
I wave goodbye and lose myself in a maze of side streets. There are these beautiful old houses, each one with its unique, magical character, and I feel a bit like I did as a small child. Curiosity. Wonder. Love. When exactly did I start to need more than that? I feel like skipping and twirling in spirals through the streets, like I would if I were an actor in a musical, but an adult doesn’t do such silly things. There was a time for that and now it’s gone. That’s what it means to grow up, right? Apparently, as one gets older, the time is for any joyless and needless sacrifice to masquerade itself as wisdom.
Time. I’m suddenly not so sure there’s much sense in keeping track of it any more. Why count down the seconds towards an uncertain future? Why stare longingly into a fading and fictional past? It’s a pretty magical world out there — and things are changing by the minute. Why not just flow with the Tao?
And so I come full circle, back to the beginning of this strange day, inside a moment that is enough to justify all of existence. You see, in this particular moment, I can’t help the feeling that I’m sitting in the very center of things — at the center of the magic theater. All of these sounds… all at once. I’m finding my zen in the splash of the legislature fountains, as would be the classic image… but also in the rise and fall of engines as these big metal beasts race all around me on various streets that surround this oasis of serenity. It all seems so distant, yet so close. So familiar.
I watch a kid with his parents. The kid is rolling on the ground beside his dad. They look down, amused by their son’s choice of travel. He simply refuses to walk. It’s more fun rolling, even if it is more difficult to make turns that way.
Kids are pretty cool. I envy the joyous freedom that I see, and I wonder again when exactly it was that I gave that freedom up. I don’t even remember putting up a fight.
But then, this has always been our journey — the rediscovery of what we’ve always known, the recovery of what we’ve always had.
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